Shure Beta 91A Plate Plus Beta 52A Bass Drum Microphone Bundle Australian authorised Shure reseller

Recognised as the industry’s leading microphone manufacturer, no other microphone company has the Shure depth of engineering horsepower and industry knowledge. For over 80 years Shure has been assisting the world’s finest communicators, entertainers, singers and musicians, to capture and communicate their sound to their audience.
Solid reliability and superior sound have made Shure microphones industry standards. Shure microphones deliver consistent vocal and instrument reproduction in any performance setting, which is why they have been legendary for so long.

SHURE BETA BASS DRUM MIC PACK:
Includes BETA 52A LARGE DIAPHRAM BASS MIC & 91A PLATE CONDENSER MICROPHONE

Condenser:: Lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by battery or phantom power supply.

Recommended Uses: Kick Drum; Piano/Organ

The Shure Beta 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).

FEATURES:

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack

Requires no external mounting or accessories for ease of use and storage
Furnished with zipper pouch

Beta 52A Dynamic Kick Drum Microphone

The Shure Beta 52®A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Shure Beta 52A Dynamic Mic Features:

Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise

Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability

SPECS for BETA 91A:

Type: Electret Condenser
Frequency Response: 20 to 20,000 Hz
Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
Impedance: 146 Ohms
Sensitivity (at 1 kHz, open circuit voltage): -48.5 dBV/Pa (3.8mV); 1 Pascal=94 dB SPL
Maximum SPL (1 kHz at 1% THD): 1000 Ohm load: 151 dB, 2500 Ohm load: 155 dB
Signal-to-Noise Ratio (referenced at 94 dB SPL at 1 kHz): 64 dB; S/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted
Dynamic Range (at 1 kHz): 1000 Ohm load: 121.5 dB; 2500 Ohm load: 125.5 dB
Common Mode Rejection (20 Hz to 20 kHz): > 55 dB

Clipping Level (20Hz-20 kHz at 1% THD): 1000 Ohm load: 7.50 dBV, 2500 Ohm load: 12.5 dBV; THD of microphone preamplifier when applied input signal is equivalent to cartridge output at specified SPL
Self Noise (typical, equivalent SPL, A-weighted): 29.5 dB SPL-A
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Weight: Net: 470 g (16.6 oz.)
Frequency Contour Switch: 7 dB of attenuation centered at 400 kHz
Connector: Three-pin professional audio (XLR), male, balanced
Power Requirements: 11-52 Vdc phantom power, 5.6 mA